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	<title>Victoria Verseau</title>
	<link>https://victoriaverseau.com</link>
	<description>Victoria Verseau</description>
	<pubDate>Mon, 22 Dec 2025 10:50:10 +0000</pubDate>
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		<title>Limina</title>
				
		<link>http://victoriaverseau.com/Limina</link>

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		<pubDate>Mon, 22 Dec 2025 10:50:10 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
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		<description>&#60;img width="2480" height="3508" width_o="2480" height_o="3508" src_o="https://cortex.persona.co/t/original/i/f2790827fd103ac5bfaa1077ba1c4992dc2ca96f160c30e71ddbd37150ea4d3f/L-I-M-I-N-A.jpg" data-mid="1427644" border="0" /&#62;&#60;img width="3380" height="3124" width_o="3380" height_o="3124" src_o="https://cortex.persona.co/t/original/i/c00f84596c3bd9211e4be436172b46d5a80ef4eebe4c44cadaa01554ec6794e8/variant_1_54A9240.jpg" data-mid="1427645" border="0" /&#62;Courtesy  Giulia Cairone / Stockholm Konst. Albin Roslund / Kreativ Teknik. 
Produced by Stockholm Konst 
in collaboration with Art Platform 
for Nobel Week Lights 2025. 
Carpenter: Hennings Trumma. 
Blacksmith: Stålfågel Smide. 
Lighting: Kreativ Teknik. 
Structural Engineer: Per Sjögren. 
Painter: Salulampi Blästring och Industrimålning.
3D Rendering: Anna Spaak. 3D Model: Samuel Kauhfuss Gustavsen.
Spatial facilitator: Space Visby.

&#60;img width="3648" height="5472" width_o="3648" height_o="5472" src_o="https://cortex.persona.co/t/original/i/6d861140b86ecf129ff693f1adbe1b06386f2c729f53e0c91a46f6e84b61675b/_54A9174.jpg" data-mid="1427988" border="0" /&#62;&#60;img width="3973" height="3144" width_o="3973" height_o="3144" src_o="https://cortex.persona.co/t/original/i/1384af49a167f9c96342505b034338746b69414d6c06172da7b9b7629d64a413/variant_54A9208.jpg" data-mid="1427990" border="0" /&#62;&#60;img width="4172" height="2860" width_o="4172" height_o="2860" src_o="https://cortex.persona.co/t/original/i/b74e4cfbf6ad22116b91816b26cdeaf796eda82e338460ce1f6da99b2aa5a8f5/2025-05-23_perpspektiv_7.png" data-mid="1429008" border="0" /&#62;

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" src_o="https://cortex.persona.co/t/original/i/ab7bc81fc8be1e749e5d6ca5e5c6ca61ac353d3959de83b110e69c20931cb7e7/_54A9246.jpg" data-mid="1429005" border="0" /&#62;
&#60;img width="4960" height="3507" width_o="4960" height_o="3507" src_o="https://cortex.persona.co/t/original/i/7a1da784b37da71ba22741385d6a3863d1c892e9dc09783402da53622f4554a5/KS1--rev-C.jpg" data-mid="1429006" border="0" /&#62;&#60;img width="2623" height="1974" width_o="2623" height_o="1974" src_o="https://cortex.persona.co/t/original/i/ee6dd85d344531a2b3363e6fba34f35c55d8667007fcf6711c8f305f14c8ee0b/skiss.jpg" data-mid="1429009" border="0" /&#62;
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&#60;img width="3648" height="5472" width_o="3648" height_o="5472" src_o="https://cortex.persona.co/t/original/i/8dd3d558d84987900d3008df842cfd352f4b4d7f84348d8e887eb73518b97695/variant_54A9292.jpg" data-mid="1428136" border="0" /&#62;&#60;img width="5326" height="3508" width_o="5326" height_o="3508" src_o="https://cortex.persona.co/t/original/i/f15a5b5a8d46b83654d8cbf93b6a32eccfe160b4eb11103b36bde2cd2e6c84ec/variant_54A9309.jpg" data-mid="1427992" border="0" /&#62;&#60;img width="1708" height="2560" width_o="1708" height_o="2560" src_o="https://cortex.persona.co/t/original/i/dd340096d36ae9b52d13905ed67aa092987e40250bbfe821ea53a0320cb9c371/variant_2723_NWL-25_Limina_AlbinRoslund-5.jpg" data-mid="1428133" border="0" /&#62;&#60;img width="2560" height="1708" width_o="2560" height_o="1708" src_o="https://cortex.persona.co/t/original/i/10e28a66a6905ffc4769364628519b75012c56429d17c6d2a8574b2a9c7b4e2c/2723_NWL-25_Limina_AlbinRoslund-2.jpg" data-mid="1428134" border="0" /&#62;&#60;img width="2560" height="1708" width_o="2560" height_o="1708" src_o="https://cortex.persona.co/t/original/i/1db9594feae444d3fc0c4f0004c9fdc400115d2a3720a90c772ee745a018f24d/variant_2723_NWL-25_Limina_AlbinRoslund-4.jpg" data-mid="1428135" border="0" /&#62;</description>
		
		<excerpt>Courtesy  Giulia Cairone / Stockholm Konst. Albin Roslund / Kreativ Teknik.  Produced by Stockholm Konst  in collaboration with Art Platform  for Nobel Week Lights...</excerpt>

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		<title>Work in progress</title>
				
		<link>http://victoriaverseau.com/Work-in-progress</link>

		<comments></comments>

		<pubDate>Fri, 16 May 2025 09:31:46 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Sketch of architectural installation in production.Location in front of the Royal Palace in Stockholm.
&#60;img width="3189" height="2480" width_o="3189" height_o="2480" src_o="https://cortex.persona.co/t/original/i/3b8d6f7e568457b0941f69dc4753838f63550e52d21b87e7fa41e3f4e856d734/1-for-persona.jpg" data-mid="1407467" border="0" /&#62;
Model of large-scale installation at a 1:20 scale.Colored mirrors and two-way surveillance mirror.Acrystal and textile sculpture.
&#60;img width="1439" height="805" width_o="1439" height_o="805" src_o="https://cortex.persona.co/t/original/i/1bcc191edba2701649d3a5fd5b5f803dbb98f6c663ef1164ece4789aa1865660/Skarmavbild-2025-05-16-kl.-11.34.53.png" data-mid="1407352" border="0" /&#62;&#60;img width="1435" height="815" width_o="1435" height_o="815" src_o="https://cortex.persona.co/t/original/i/453ea4b82b723bf6530b947a86494f0d896b41b27c86b49962ccb1eab228de46/Skarmavbild-2025-05-16-kl.-11.35.23.png" data-mid="1407353" border="0" /&#62;&#60;img width="1439" height="805" width_o="1439" height_o="805" src_o="https://cortex.persona.co/t/original/i/531393c61f135df0bab8571a63ca6bc7de7b6e050687914dd9572fa494fae379/Skarmavbild-2025-05-16-kl.-11.36.00.png" data-mid="1407355" border="0" /&#62;Large-scale installation at a 1:20 scale.Transparent glass mirror.Dry walls.Neon sculpture.&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/db30775d42b960c1b3eacfb8d16a737b2ea7c2e965b185e66ebf9e50e196b933/1.jpg" data-mid="1407361" border="0" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/c87a52998c1ff913c37571265fd54d9c243b64ff032f007cde4c48933662d965/2.jpg" data-mid="1407362" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/1b99bfd0ad6976281e1f67438db16c221a57bd30990dfde052dea016d9d062db/3.jpg" data-mid="1407363" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/3907be5390b537fdd8e6a554d8cd19ecf3c9617e1ec9d4e120f8114fca5ef9a5/4.jpg" data-mid="1407364" border="0" /&#62;Architectural models of large-scale installation at a 1:20 scale.
Two-way mirror, strob light.&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/0bf34421e05792a129c7fd10ff790870db302c927818718a7d81533b452e3737/5.jpg" data-mid="1407365" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/78922fbad6059115c82e010d7b4f857db87b1e27b854bd87fd324ea449889591/6.jpg" data-mid="1407366" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/1a856a4bec5876fc78f82187b62f154790d3e41fe24de36a6f9b6a9f0f1f30cc/7.jpg" data-mid="1407367" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/85e479b5018038516827e5c115674e6c8879e0ca855e99e06cc91f1d8362bdda/8.jpg" data-mid="1407368" border="0" /&#62;</description>
		
		<excerpt>Sketch of architectural installation in production.Location in front of the Royal Palace in Stockholm.  Model of large-scale installation at a 1:20 scale.Colored...</excerpt>

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	<item>
		<title>CV</title>
				
		<link>http://victoriaverseau.com/CV</link>

		<comments></comments>

		<pubDate>Wed, 09 Apr 2025 08:28:12 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>BIO (* 1988) Victoria Verseau (b. 1988) is a Swedish artist and filmmaker based on the island of Gotland. 
She is a graduate of the Royal Institute of Art in Stockholm.Her works and films have been presented in solo and group exhibitions, including at Whitechapel Gallery, 
Hammer Museum, Fondazione Prada, Neuer Berliner Kunstverein (n.b.k.), and Para Site Hong Kong.
In her work, Victoria Verseau explores themes of the body, memory, and identity, as well as the tension 
between a mystified past and a demystified present. Her practice often draws on personal experiences of 
being trans and living as a woman. Through her own story, she addresses broader existential questions, 
who we are, how we exist, and who we aspire to become.SOLO EXHIBITIONS
2022 - 2023 &#124; Hope Is a Dangerous Thing for Women Like Us, Fotogalleriet Oslo, Norway. &#38;nbsp;
fotogalleriet.no/exhibition/victoria-verseau 
2021 - 2022 &#124; Approaching a Ghost &#124; Bonniers Konsthall, Stockholm, Sweden. 
bonnierskonsthall.se/utstallning/artists-film-international-2021
2021 &#124; Engender My Past &#124; Uppsala Art Museum, Sweden. https://bit.ly/40YmXYZ
2019 &#124; A Body of Ghosts &#124; Galleri Mejan, Royal Institute of Art, Stockholm, Sweden. 
victoriaverseau.com/2019-A-Body-of-Ghosts2017 &#124; Through the Lookinglass &#124; Hangmen Projects, Stockholm, Sweden.albabaeza.com/blog/portfolio/through-the-looking-glass

RECENT AND COMING PREMIERES / SCREENINGS 
Trans Memoria, feature film, 2024,(previous title Meril), 1h 12 min. Director, scriptwriter, editor, costume, set design, actor.2026 &#124; Best Documentary at Guldbaggen (The Swedish Academy Awards) 2026.
guldbaggen.se/2025-ars-guldbaggevinnare
2024 &#124; Karlovy Vary International Film Festival, Proxima Competition, Czech Republic, (World Premiere).
kviff.com/en/programme/film/69/42561-trans-memoria
2025 &#124; Fondazione Prada, Milan, Italy.https://www.fondazioneprada.org/project/queerelle-victoria-verseau/
SXSW South by Southwest, Austin Texas, US.
schedule.sxsw.com/2025/films/2206829
Gothenburg International Film Festival, Sweden, Competition.
Winner of ‘The Dragon Award’ for Best Nordic Documentary 2025.
https://bit.ly/41hE6OwFrameline Film Festival, San Francisco.Nashville Filmfestival, USA, Competition.
BFI: Flare LGBTQI+ Film Festival, London, UKNashville Film Festival, Competition.
Tempo Documentary Film Festival, Sweden, Competition.
Festival de cinéma Travelling Rennes, France.
Festival Premiers Plans d’Angers, France, Competition.
2024 &#124;Kasseler Doc Fest, Germany, Competition.
Winner of ‘The Golden Key’, the big prize for best Documentary.IDFA International Documentary Film Festival, Amsterdam, Best of fest, Netherlands.
Aux Écrans du RÉEL Festival de Films Documentaires,Competition.
Winner of The Grand Jury Prize.
Belfort Entrevues Film Festival, Belfort France, Competition.
Winner of the ‘One + One Award’ for best sound design + Special Mention. 
Queer Lisboa - International Queer Film Festival, Portugal, Competition.
Special Mention.
Helsinki International Film Festival – Love &#38;amp; Anarchy, Finland.
Reykjavík International Film Festival, Iceland. 
Nordic Film Days Lübeck, Germany, Competition.
Leeds International Filmfestival, UK, Competition.
Tromsø International Film Festival, Norway.
Chéries-Chéris Paris Gay and Lesbian Film Festival, France.
Cork International Film Festival, Ireland.
The 58th Hof International Film Festival, Germany, Competition.
2023 &#124; Cannes Film Festival, Cannes Docs / Marche du Film, France. 
(previous title Meril) - work in progress / feature film.
https://bit.ly/3COR3pP
EDUCATION 
2017 - 2020 MFA &#124; The Royal Institute of Art, Stockholm
2014 - 2016 BA Fine Art &#124; The Royal Institute of Art, Stockholm
2016 - 2017 Directing for Film &#124; Stockholm Academy of Dramatic Art / Filmbasen
2013 Exchange &#124; Interarchitecture &#124; Rietveldt Academie, Amsterdam
2010 - 2012 BA Design &#124; (HDK) School of Design and Crafts, Gothenburg
2009 - 2010 Spatial Design &#124; KV Art School, Gothenburg SELECTED GROUP EXHIBITIONS
2025 &#124; Nobel Week Lights, Stockholm, Sweden. 
2025 &#124; Queer Cohesion #3 Body, Stockholm, Sweden. 
2023 - 2024 &#124; Four Films at Gallery Billytown Haag, Netherlands. Exhibiting artists Verena Blok (NL/PL), Eugene Sundelius von Rosen (SE) 
Lisa Tan (US/SE) and Victoria Verseau (SE). 
2023 &#124; The Impersonal Verb And The Hidden Subject at La Capella, Barcelona / Index Foundation, 
Stockholm, Sweden.with amongst others Roxy Farhat, Johanna Gustafsson Fürst, Runo Lagomarsino and Iris Smeds.
2022 &#124; LUX &#38;amp; MATRIX curated by Rosa Martinez, first female curator of Venice Biennale 2015. ACVIC Centre d’Arts Contemporànies, Vic (Barcelona), Catalonia.Other exhibiting artists Louise Bourgeois, Niki de Saint Phalle .acvic.org/en/exhibition-projects/3904-lux-matrix-3 
2022 &#124; CORONASAMLINGEN - Public Art Agency Sweden &#124; Havremagasinet Boden / Skissernas Museum Lund, Sweden. skissernasmuseum.se/utstallningar/coronasamlingen
2021 &#124; Future Watch -10 Artists of Our Time &#124; Kulturhuset Stadsteatern, Stockholm, Sweden. 
victoriaverseau.com/Foreign-Bod
2021 &#124; All Flesh is Hay, Gislaved Konsthall, Gislaved, Sweden. 
victoriaverseau.com/All-Flesh-Is-Hay
2021 &#124; The Spring Exhibition, Galleri Arnstedt, Östra Karup/Båstad, Sweden. 
galleriarnstedt.se/victoria-verseau 

SELECTED SCREENINGS
A Ghost’s Gaze, 2021, video work, 24 min. 
Editor, director, scriptwriter, producer. 
2024 &#124; Statens Konstråd / The Swedish Art Agency, Stockholm, Sweden.
‘Twilight land – five art films from the collection’.
2023 &#124; The Feminist Library, London, UK. 
2022 &#124; VEGA SCENE, Oslo, Norway. 
Approaching a Ghost, 2020, video work, 20 min. 
Editor, director, scriptwriter, producer. 
Selected as the Swedish contribution for Artists’ Film International 2021 
by Bonniers Konsthall. 
Screened at the following art institutions: 
Ballroom Marfa, Texas USA &#124; Belgrade Culture Centre, Serbia &#124; Bonniers Konsthall, Stockholm &#124; 
Center for Contemporary Art, Afghanistan (CCAA) &#124; Contemporary Art Center (CAC), Vilnius &#124; Crawford Art Gallery, Cork Ireland &#124; Friends of IZIKO South African National Gallery, Cape Town South Africa &#124; Foundation Proa, Buenos Aires Argentina &#124; GAMeC, Bergamo Italy &#124; Hammer Museum, Los Angeles USA &#124; Istanbul Modern, Turkey &#124; KWM artcenter, Beijing China &#124; MMAG Foundation, Amman Jordan &#124;Moscow Museum of Modern Art, Russia &#124; Museum of Modern Art Warsaw, Polan &#124; NBK, Berlin Germany &#124; Para Site, Hong Kong &#124; Project 88, Mumbai India &#124; Tromsö Kunstforening, Norway &#124; Whitechapel Gallery, London UK.https://bit.ly/4i3NBql

Exercise One, short fiction, 14 min.Editor, director, scriptwriter. 2017 &#124; Outfest LA, Los Angeles US, (World Premiere). Swedish Shortfilm c/o Folkets Bio, Stockholm, Gothenburg, Malmö, Sweden, Kiruna, Umeå.Encounters Film and Animation Festival, Bristol UK. Czech National Television, Czech Republic . Gothenburg International Film Festival, Sweden. Mezipatra Queer Film Festival, Prague, Czech Republic. Lovers Filmfestival, Torino Italy.

PERFORMANCES2024 &#124; Skövde Art Museum, Performance ‘Homecoming’.2021 &#124; Kulturhuset Stadsteatern/Culture Center Stockholm, Performance ‘Foreign Body’.
2021 &#124; Uppsala Art Museum, Performance ‘Foreign Body’.
REPRESENTED IN ART INSTITIONS / SOLD WORKS
Statens Konstråd / The Swedish Art Agency.
The video work A Ghost’s Gaze (2021).
The sculptural work Shelf 27 (2023).
Uppsala Konsthall / Uppsala Art Museum.
The video work A Ghost’s Gaze (2021).
The sculptural work 5,6,7,8,9 inches 12,14,16,18,20 centimeters. (2019 - 2022).
SELECTED AWARDS / SUPPORTS / SCHOLARSHIPS / GRANTS
2026 &#124; Trans Memoria wins Best Documentary at Guldbaggen (The Swedish Academy Awards) 2026.
guldbaggen.se/2025-ars-guldbaggevinnare/
2025 &#124; ‘The Dragon Award’ for Best Nordic Documentary at Gothenburg Film Festival 2025 
for the feature Trans Memoria.
goteborgfilmfestival.se/dragonawardvinnare2025
Project Support for the feature ‘Trans Love’ from The Swedish Arts Grants Committee.
2024 &#124; 2 year working grant from Swedish Art Grants Committee.Winner of ‘The Golden Key’ for an outstanding documentary work, Kasseler Doc Fest, Germanhttps://bit.ly/3X6nkzp Aux Écrans du RÉEL Festival de Films Documentaires,Competition.Winner of The Grand Jury Prize. https://www.assochroma.com/index.php/concours-1er-docBelfort Entrevues Film Festival, Belfort France, Competition.Winner of the ‘One + One Award’ for best sound design + Special Mentionfestival-entrevues.com/en/news/2024/11/2024-palmares

2023 &#124; The Postproduction Award, Cannes Docs / Cannes Film Festival 2023 for the feature Trans Memoria (Meril).
https://bit.ly/3COR3pPThe Swedish Film Institute, production funding for the feature Trans Memoria (Meril).filminstitutet.se/en/news/2023/funding_202304
2022 &#124; EURimages, co-production funding for the feature film Trans Memoria (Meril). 
https://tinyurl.com/y3au823z
The Swedish Film Institute, development funding for the feature film Boundaries.
IASPIS scholarship Swedish Art Grants Committee. 
Swedish Art Grants Committee, 1 year working grant. 
Stocholm Culture Scholarship. 
https://tinyurl.com/2n49xm9w

2021 &#124; Gotlands Filmfond, production support for the feature film Trans Memoria (Meril).
Cinema du Monde, production support for the feature film Trans Memoria (Meril). 
https://tinyurl.com/rp3rb394
2020 &#124; Uppsala Municipality Art Scholarship.
Längmanska Culture Fund.Stig Hedberg Sculpture Scholarship.
The Swedish Film Institute, development funding for the feature Trans Memoria (Meril).
2019 &#124; Frame Filmfestival / Film Cloud Pitch Award forthe feature Boundaries.
Vision du Reel Pitch, Mediterranean Film Institute, MFI Script 2 Film script development residency award. 
2017 &#124; The Anna Award, Women in Film &#38;amp; Television and UN Women Sweden.
wift.se/nyheter/anna-priset-vinnare-2017-2
2016 &#124; Film i Väst, production funding for the shortfilm Exercise One.
The Swedish Filminstitute, production funding for the shortfilm Exercise One.

SELECTED PRESS
Interview on ‘Trans Memoria’ for The Hollywood Reporter. 
https://tinyurl.com/4h2sm25h
Exclusive interview on my upcoming feature film ‘Trāns Love’ / ‘Trāns Amor’ for Variety.
https://tinyurl.com/5n7cj5bb 
Review of ‘Trans Memoria’ in Cineuropa. 
cineuropa.org/en/newsdetail/464335
Review of ‘Trans Memoria’ in Purple Hour.
https://tinyurl.com/4d37nfkk
Interview about Trans Memoria for Cineuropa.
cineuropa.org/en/interview/464450/
Trans Memoria wins The Dragon Award for Best Nordic Documentary at Gothenburg Film Festival 2025.
https://bit.ly/41hE6Ow
Review of ‘Engender My Past’ at Uppsala Art Museum Kunstkritikk - 2021. 
kunstkritikk.se/nar-tecknet-for-man-betyder-kvinna
‘Hope Is a Dangerous Thing for Women Like Us’ - one of the most memorable exhibitions of 2022 according 
to Kunstkritikks editor-in-chief Mariann Enge.
kunstkritikk.se/24-desember-4
Review of ‘Hope Is a Dangerous Thing for Women Like Us’ at Fotogalleriet Oslo in Kunstavisen - 2022. &#38;nbsp;
kunstavisen.no/artikkel/2022/utenfor-rekkevidde 
“Nordic filmmakers Victoria Verseau and Virpi Suutari grab awards at Cannes Docs - 2023.”
https://bit.ly/3COR3pP
“Screen Daily Outplay boards Victoria Verseau’s Karlovy Vary documentary ‘Trans Memoria’ (exclusive).”
https://tinyurl.com/y4uudb9h
Interview by Hammer Museum, LA, US.
hammer.ucla.edu/online-artists-film-international-2021/victoria-verseau
Review of ‘Approaching a Ghost’ at Bonniers Konsthall 2021 by The Swedish Radio / SR&#38;nbsp; &#38;nbsp; 
/Starts at 3 min 21 sec.
https://tinyurl.com/yc7uwdkm




</description>
		
		<excerpt>BIO (* 1988) Victoria Verseau (b. 1988) is a Swedish artist and filmmaker based on the island of Gotland.  She is a graduate of the Royal Institute of Art in...</excerpt>

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		<title>Approaching a Ghost Bonniers Konsthall II</title>
				
		<link>http://victoriaverseau.com/Approaching-a-Ghost-Bonniers-Konsthall-II</link>

		<comments></comments>

		<pubDate>Wed, 09 Apr 2025 07:58:05 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
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		<description> THIS PAGE IS IN THE PROCESS OF BEING REBUILT.</description>
		
		<excerpt>THIS PAGE IS IN THE PROCESS OF BEING REBUILT.</excerpt>

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		<title>Rooftop</title>
				
		<link>http://victoriaverseau.com/Rooftop</link>

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		<pubDate>Mon, 07 Apr 2025 11:12:46 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">456474</guid>

		<description>&#60;img width="2874" height="1596" width_o="2874" height_o="1596" src_o="https://cortex.persona.co/t/original/i/7e27010d69d409d5b50c4066055cbddf20b88582f2620540a1d7a2a5177328d0/Rooftop-2.jpg" data-mid="1403317" border="0" /&#62;In the video entitled ‘Rooftop’ (2016)the artist performs in a hotel bathroom. 
The artist enters the scene, pushes play and a nostalgic pop song is heard on her laptop. Standing in front 
of a mirror that remains out of view, she begins to move to the rhythm of the music and to do playback 
singing as soon as the voice of Swedish pop singer Zara Larsson is heard. Throughout the video, Verseau 
looks alternately at the camera and at the mirror: two lenses through which she can see, recognise and 
reinvent herself.
The impersonal setting of the hotel room appears as an ideal space in which to project the desired image of 
the self. The YouTube aesthetic – steady shots, scarce technical means and a minimum amount of editing – and 
the choice of medium-sized screens and headphones recreate a space of intimate emotional experience. 
These formal characteristics coexist with learnt gestures appropriated from pop video clips commer cialised 
for teenage audiences.
The artist’s performance is an exercise in reaffirmation that oscillates between the desire for normalisationand the need to draw attention to difference. It defends the right to a ‘pop adolescence’, free from the 
burden of growing up in between genders in a binary and heteronormative society. It also signals the 
difficulty for all women trans or cis to fit into the normative ideal of femininity defined by patriarchal 
rules. In both videos, the way in which she half smiles is touching, for the act of fantasising reveals her 
shyness at exposing herself to the camera lens, to a future potential audience.
- Curator, Alba Baeza.
Contact the artist to recieve a screener to the work.


</description>
		
		<excerpt>In the video entitled ‘Rooftop’ (2016)the artist performs in a hotel bathroom.  The artist enters the scene, pushes play and a nostalgic pop song is heard on...</excerpt>

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		<title>The Flow</title>
				
		<link>http://victoriaverseau.com/The-Flow</link>

		<comments></comments>

		<pubDate>Fri, 04 Apr 2025 10:11:48 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">456453</guid>

		<description>&#60;img width="1486" height="1040" width_o="1486" height_o="1040" src_o="https://cortex.persona.co/t/original/i/53c08b9bddade7f19f8cbf3dc39148336f15d30b9ede547bdfdc723d2d216525/Ghost-transition.jpg" data-mid="1402639" border="0" /&#62;&#60;img width="916" height="1322" width_o="916" height_o="1322" src_o="https://cortex.persona.co/t/original/i/af36e67ac27d9504b1936f2347d951c2c1f2c289f5c4d841b06878357d293e0d/Lux-Matrix.jpg" data-mid="1403320" border="0" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/ce943646e7e0a216e02254fbdbfb84f3da8d11f4aee8f334ad65ac14bc1f1741/Victoria-Barca-01.02_22_13_10.Still002.jpg" data-mid="1402618" border="0" /&#62;&#38;nbsp;&#60;img width="528" height="615" width_o="528" height_o="615" src_o="https://cortex.persona.co/t/original/i/b3e24fb53c1815bc0fa5ae66e0aab2383c49b7632a8ef85790b8df40fa54cfb6/Skarmavbild-2025-04-04-kl.-12.19.25.png" data-mid="1402626" border="0" /&#62;&#60;img width="3509" height="2550" width_o="3509" height_o="2550" src_o="https://cortex.persona.co/t/original/i/1fcf8b826fd87c4a608cec4f41199d5c81d5f609fa9e2ab525f46aa146ffb0d2/scan-things-from-past.jpg" data-mid="1402847" border="0" /&#62;&#60;img width="4961" height="3508" width_o="4961" height_o="3508" src_o="https://cortex.persona.co/t/original/i/f16d29d4d2c7c3cb69ccd0c1842fa50bdc83346d8685c48c115fbab938f33e8b/Stanyan-Park-Hotel.jpg" data-mid="1403321" border="0" /&#62;&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/6878c5d35f78c968a16e1e8e8893fe76520ecfddd38a3bed5201f0dee59258cd/klipp-barca-Copy-01.02_05_18_13.Still004.jpg" data-mid="1402645" border="0" /&#62;&#60;img width="2479" height="1754" width_o="2479" height_o="1754" src_o="https://cortex.persona.co/t/original/i/5e31ff3ca4070f53c01f3b5a3edbe71910e2c2607595f713320e70e9eb8b3f36/Hotel-room.jpg" data-mid="1402856" border="0" /&#62;&#60;img width="3818" height="2142" width_o="3818" height_o="2142" src_o="https://cortex.persona.co/t/original/i/b6aebaa6965a3fd51db75a50a75ac49a898e3d5e22e37aae32e60c845c929566/me-and-meril.jpg" data-mid="1403316" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/c07f825722d97f74fd2473e591162fcbfda483a007f71e208c8410a364135759/img044.jpg" data-mid="1402841" border="0" /&#62;
&#60;img width="1316" height="689" width_o="1316" height_o="689" src_o="https://cortex.persona.co/t/original/i/97577b641bac2bd1a6d384776ef505643dedd71544f9c2ba0ae91a655a266daa/Skarmavbild-2025-04-04-kl.-12.20.50.png" data-mid="1402628" border="0" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/d752be07b085934d324c20b039c59604d91c2225dc8f1633acd7aab49753febb/IMG_2165.JPG" data-mid="1402651" border="0" /&#62;&#38;nbsp;&#60;img width="530" height="527" width_o="530" height_o="527" src_o="https://cortex.persona.co/t/original/i/2ab93353b205c666bf62485aa7c589a78fab49793b0103e8b24511d88ab70b1f/Skarmavbild-2025-04-04-kl.-12.19.49.png" data-mid="1402627" border="0" /&#62;&#60;img width="3394" height="3659" width_o="3394" height_o="3659" src_o="https://cortex.persona.co/t/original/i/fe02fd213a91801552a181df3c95ab1ed9497b0c590ff63f5b4b4ba12db12f75/Vagina-Light.jpg" data-mid="1402860" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/10233c4ecf4d0718b33f527ac807d3e04032ac4345d9d48f11f89c5c51f08d45/img048.jpg" data-mid="1402842" border="0" /&#62; &#60;img width="3508" height="2480" width_o="3508" height_o="2480" src_o="https://cortex.persona.co/t/original/i/6754eda2a5d887c59e262d95648dfb6fa8c95c9dca71c58646b991e208765ee7/the-sideroom-1.jpg" data-mid="1402617" border="0" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/787f2c9c716ea103147ae03de38eae805ae3cffb3c3dc277dde5513633e94e24/a_K9A8596.JPG" data-mid="1402625" border="0" /&#62;&#60;img width="497" height="402" width_o="497" height_o="402" src_o="https://cortex.persona.co/t/original/i/b30327dc8491b632038b1aef47edf5b6a1fb1ce8629d482d7a9253880effa975/Skarmavbild-2025-04-04-kl.-12.21.26.png" data-mid="1402629" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/f4402b430a8b8d74de6c7d581e2e4395d1a80597139946790e00c197ff2391c0/img049.jpg" data-mid="1402843" border="0" /&#62;
&#60;img width="4679" height="3394" width_o="4679" height_o="3394" src_o="https://cortex.persona.co/t/original/i/c5160bb1dfd4db12fa6230a950aa048226c7b1b85c274302f321ed606a76d7ce/Collage-2-18.jpg" data-mid="1402631" border="0" /&#62;&#60;img width="4679" height="3394" width_o="4679" height_o="3394" src_o="https://cortex.persona.co/t/original/i/9bf994fbdba5bb91259f87605b0dedf7d6811c965f7abec146e1b8e57a68e8e4/Collage-3-16.jpg" data-mid="1402633" border="0" /&#62;&#60;img width="4679" height="3394" width_o="4679" height_o="3394" src_o="https://cortex.persona.co/t/original/i/0a5e373e5ea572a9e990176878d35c7a71a880607dbd5e0477fa7e485b48ba99/Collage-1-17.jpg" data-mid="1402632" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/879ea12d7a26ba85df1803650a6ab032da7cea571a14ad35874ead812b608980/img055.jpg" data-mid="1402844" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/4fdce7bc6c254c01ecb09a6af1fad1d2dd2f5dacff523f9f31eed883c413555c/img060.jpg" data-mid="1402845" border="0" /&#62;&#60;img width="6000" height="3376" width_o="6000" height_o="3376" src_o="https://cortex.persona.co/t/original/i/a2641ddcbcad24b384d6575be8924ea8285738554c6dd97e0ca1ef72d93c60e1/DSC01708.JPG" data-mid="1402630" border="0" /&#62;&#60;img width="2479" height="3508" width_o="2479" height_o="3508" src_o="https://cortex.persona.co/t/original/i/11526bd5d0f0c1a4cdbf163ecebcf21e371e6495c74d1614d7eb438c43546ec1/healing-from-gender-confirmation-surgery-in-Thailand-hospital.jpg" data-mid="1402642" border="0" /&#62;&#60;img width="3508" height="2480" width_o="3508" height_o="2480" src_o="https://cortex.persona.co/t/original/i/5d13af9ef064c8929f3f26d73234c2bc6be4c3088e0cd7ce80ea0fa6becb0681/Lying-torso-and-dilators.jpg" data-mid="1402643" border="0" /&#62;&#60;img width="764" height="415" width_o="764" height_o="415" src_o="https://cortex.persona.co/t/original/i/6c3462878c0ad2dd0b203a7a43e19b23a0050ae9b7ec8c0e6ad51c2e5a704c63/ansiktet.jpg" data-mid="1402853" border="0" /&#62;&#60;img width="2343" height="1659" width_o="2343" height_o="1659" src_o="https://cortex.persona.co/t/original/i/0c16122ea097e22a93f286315cb7a88f8c18d5e661760a4f28c531f79e8fbbe3/the-change-1.jpg" data-mid="1402851" border="0" /&#62;&#60;img width="2550" height="3509" width_o="2550" height_o="3509" src_o="https://cortex.persona.co/t/original/i/b55f1637d6d555abb964dc04526d6f74d6e1b378e09a762376ae70e554ab4659/img065.jpg" data-mid="1402846" border="0" /&#62;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/4e087d7512c48761e1057632a40c83ae5b0cfd74b411931382c4e5e1334ec7dd/IMG_1740.JPG" data-mid="1402649" border="0" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/8c857417aadc6fb7c09d052bf23f06317f9d606c5d8411244a27b49018be1014/IMG_2113.JPG" data-mid="1402650" border="0" /&#62;&#60;img width="3405" height="2217" width_o="3405" height_o="2217" src_o="https://cortex.persona.co/t/original/i/0417c53ed355f724e4d1dbe37a8cba5c351909bcd67634c60e5c60c18b35f203/the-change.jpg" data-mid="1402848" border="0" /&#62;&#60;img width="3405" height="2217" width_o="3405" height_o="2217" src_o="https://cortex.persona.co/t/original/i/ad4648fc6ed48d71fe12a9bca02f8893f03a5c2b463bd9464d6c83ffbc699b8a/the-correction.jpg" data-mid="1402849" border="0" /&#62;&#60;img width="3455" height="2387" width_o="3455" height_o="2387" src_o="https://cortex.persona.co/t/original/i/3d442cb61dab0b7617ebbb3feb80b8be2a7d041a4916e305feec2b83f8ce0e29/turn-around.jpg" data-mid="1402850" border="0" /&#62;&#60;img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/e71b29782352cda0c0fea9c173c013147e8418bcacf8233437a5edefa035064c/IMG_9975.jpg" data-mid="1402852" border="0" /&#62;&#60;img width="3394" height="2889" width_o="3394" height_o="2889" src_o="https://cortex.persona.co/t/original/i/c97f1f71608d1385e001c1d8ed56a98b41817cebf74c5999d9972822413b9976/meril-by-the-window.jpg" data-mid="1402857" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/7bbe01ad9813f5bff405cd81d195d677d9f9459904f92f44adf569aa41d57ddb/The-First-time-22.jpg" data-mid="1402858" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/e1ca852e539e0e9c2dc70e8d8ae63fbad5c2c36fee4c84d9e2c31051a948156d/The-first-time-23.jpg" data-mid="1402859" border="0" /&#62;
&#60;img width="1200" height="1592" width_o="1200" height_o="1592" src_o="https://cortex.persona.co/t/original/i/5e6b09153db634f98a9d3f0f46a0277dcd46b6a45c3b24c6234fc734c529571b/process-2.jpg" data-mid="1403318" border="0" /&#62;&#60;img width="2128" height="1562" width_o="2128" height_o="1562" src_o="https://cortex.persona.co/t/original/i/1a91e223adb21f2064eab1caeed74010e1cb19f1bc0ef54eb896221e1a92de70/process1.jpg" data-mid="1403319" border="0" /&#62;
</description>
		
		<excerpt>&#38;nbsp; &#38;nbsp;  &#38;nbsp;</excerpt>

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	<item>
		<title>Hope Is a Dangerous Thing for Women Like Us / Fotogalleriet</title>
				
		<link>http://victoriaverseau.com/Hope-Is-a-Dangerous-Thing-for-Women-Like-Us-Fotogalleriet</link>

		<comments></comments>

		<pubDate>Thu, 03 Apr 2025 17:50:40 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">456446</guid>

		<description>&#38;lt;
With support from Konstnärsnämnden / Iaspis / Swedish Arts Grants Committee.fotogalleriet.no/exhibition/victoria-verseau
&#60;img width="4500" height="3001" width_o="4500" height_o="3001" src_o="https://cortex.persona.co/t/original/i/01b8bc8ef207dab101dd1d9b4dba07ca35db6f49ba2ec55b02638a097bfdfd9f/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3382.jpg" data-mid="1402613" border="0" /&#62;Courtesy Julie Hrnčířová/Fotogalleriet.‘The Catwalk dept. 8’, linoleum.
’5,6,7,8,9 inches 12,14,16,18,20 centimeters’, sculpture scrystal, 2019 -. 
“The work of Victoria Verseau is novel and evocative. Still, it also insertsitself in a long 
tradition of art and photography history that, since at least the 1850s explored images as dreams, 
nightmares, and aspirations, connecting identity formation to social structures inconscious and 
unconscious ways. She explores worlds of emotions, ambitions, and lived experiences we have 
interiorized in Modernity through Freud and the likes with whom we have learned to experienceas 
individualized subjects stream of the interior world. Her artworks activate unconscious feelings, 
which render images of suppressed fears and emotions tangible, addressing the vulnerability of 
dreamlike spaces, juxtapositions of subjects, and imagery. Victoria Verseau expresses different 
forms of freedom by guiding us into domestic and intimate aesthetics, opening spaces for demonstrating 
in dependence and imagination in contrast to medical, architectural, and conformist standards. 
Her storytelling moves between small towns and urban centers, ideal spaces of our contemporaneity, 
and spirals into a great network of conjunctive disciplines, bodies, and countries.” 
- Antonio Cataldo, director Fotogalleriet Oslo.
&#60;img width="2578" height="1736" width_o="2578" height_o="1736" src_o="https://cortex.persona.co/t/original/i/de56bb9fa0bbf935cb510d8884af96a9a12d1814ba2b385f7b9f783b2b2fa122/Screenshot-2022-12-09-at-11.53.47.png" data-mid="1402663" border="0" /&#62;‘Honset Sketches / Sketch #194, sketch #2011’, 1998 -.
Architectural drawing designed for the exhibition. The architecture is inspired by the architecture of mausoleums with narrow passages and hidden rooms.
&#60;img width="5000" height="3335" width_o="5000" height_o="3335" src_o="https://cortex.persona.co/t/original/i/53ddbde301c825cbe193360d4d86d66cafbd91ec45b2d835f64d87dd9cd9793a/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3535.jpg" data-mid="1402664" border="0" /&#62;’5,6,7,8,9 inches 12,14,16,18,20 centimeters’, sculpture scrystal, 2019 -.&#60;img width="2382" height="1730" width_o="2382" height_o="1730" src_o="https://cortex.persona.co/t/original/i/0d02c40442efe248e9596b6c472045ee7f2389933cc922448c06ee28128f52b8/Floorplan.jpg" data-mid="1403656" border="0" /&#62;
I specifically designed the architecture for the exhibition, drawing inspiration from mausoleums, with 
their narrow passages and hidden rooms. The exhibition served as both a commemoration and a personal 
journey through the grief following the loss of my best trans friend, Meril.
The first room visitors encountered was bright and minimalistic, featuring only a 13-meter-long podium 
with a sculptural work leading toward a dark doorway.Upon entering the portal, visitors were guided 
through a narrow passage into the deeper, darker spaces. 

In the second room, where a video work was displayed, two narrow doorways led to small passages that opened
into two separate, partially hidden rooms—one illuminated by purple UV light, the other by red neon.
The fifth and final room stood out for its experimental and messy aesthetic, in contrast to the minimalism 
of the earlier rooms. It showcased a multitude of collected objects arranged on platforms, lit by 
fluorescent light.
&#60;img width="2586" height="1692" width_o="2586" height_o="1692" src_o="https://cortex.persona.co/t/original/i/7adb831d4c28e019daa55be43f5b0e4f79a72e7f2ddfe05a15e33923310b735a/skiss-fotogalleriet.jpg" data-mid="1403460" border="0" /&#62;&#60;img width="3508" height="2480" width_o="3508" height_o="2480" src_o="https://cortex.persona.co/t/original/i/64d7badb84315f62b373447d33774d72cc2a36466b121c74acbaa62c36cded25/Ritning-1-a-rummet-Fotogalleriet.jpg" data-mid="1402840" border="0" /&#62;&#60;img width="5894" height="4000" width_o="5894" height_o="4000" src_o="https://cortex.persona.co/t/original/i/7eabae021058f7f9a62b8501e5194289366171da5569ac144e512387da110b1e/The-doorway-jpg-.jpg" data-mid="1402838" border="0" /&#62;&#60;img width="4500" height="3002" width_o="4500" height_o="3002" src_o="https://cortex.persona.co/t/original/i/d896b511d16cc9c813be277aacbcdd75a3685a039f64f55d70b5df90e658a656/Altered-window.jpg" data-mid="1402861" border="0" /&#62;
&#60;img width="5000" height="3335" width_o="5000" height_o="3335" src_o="https://cortex.persona.co/t/original/i/5746aee32b6e0f24dcf56c30c8ac66f204b2ff0c865222df41e983a69d70f15f/Mindre-gult-i-passagen.jpg" data-mid="1402862" border="0" /&#62;The inner room.
‘A Ghost’s Gaze’, video, 2019 - 2022.
&#60;img width="2668" height="4000" width_o="2668" height_o="4000" src_o="https://cortex.persona.co/t/original/i/8fcddfd4221b00e5cafac6453ba785f1fd7d80dc7d13e37fcf0ad4e038489607/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3369.jpg" data-mid="1403304" border="0" /&#62;Leading passage to one of the hidden room #1.&#60;img width="1300" height="867" width_o="1300" height_o="867" src_o="https://cortex.persona.co/t/original/i/377a0d86a798006c5fed9c876ebd3b080155d77ccfad610d6023bd9332ec3d90/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3379.jpg" data-mid="1403305" border="0" /&#62;Hidden room #1.
UV light, acrystal sculptures.
‘Trāns Pelvis Os.’, 2022.&#60;img width="5000" height="3335" width_o="5000" height_o="3335" src_o="https://cortex.persona.co/t/original/i/fa42effc758331a9ed66a27e81291cd7dc64ab7c7309d46b44084eed5d24d972/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3377.jpg" data-mid="1403306" border="0" /&#62;&#60;img width="4500" height="3001" width_o="4500" height_o="3001" src_o="https://cortex.persona.co/t/original/i/720cbd9c5f4e78a48e93e420a79baaf318a7d178a8101e1fe27e319e420d4c4a/Skevad-version.jpg" data-mid="1403307" border="0" /&#62;
Hidden room #2.
Red neon light, plaster/acrystal sculptures.
‘The Body Shells’, 2021 - 2022.

&#60;img width="4000" height="2668" width_o="4000" height_o="2668" src_o="https://cortex.persona.co/t/original/i/36d9ba3d8abd482b7b117a9b299811520c6ed1660b14cc17b508dbfb40c4fc28/1Fotogalleriet_JH_VV-3126.jpg" data-mid="1403310" border="0" /&#62;
The Side room.
One of the five rooms that was created for the exhebition.The other rooms were more minimalistic and "clean". In this room I wanted it to be more messy and 
experimental, almost like a studio where finished and unfinished works and processes were going on.An investigative manner. A plentitude of collected (hoarded) objects were placed on square plexi- 
and linoleum platforms. Some of them lit by fluorescent lamps from below resembled light tables. 
I thought of the light tables on which x-rays prints are placed in hospitals, to see bone fractures, 
tumors etc. Things that occur, grow and change with time. I see all the collected objects as a kind of
materialization of time, an ever-growing collection, a way of trying to capture what is irrevocably 
gone and impossible to regain. The "light tables" were switched off and on at different intervals, creating 
a rhythm, a kind of count indicating the passage of time
&#60;img width="4500" height="3001" width_o="4500" height_o="3001" src_o="https://cortex.persona.co/t/original/i/ed9c85acc72ec92e2a9b9c820558fb6f82348d3b1cd898cfdcae26dcf6c6b8a2/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3447.jpg" data-mid="1403309" border="0" /&#62;‘Remnants 2010 -’.

&#60;img width="1300" height="867" width_o="1300" height_o="867" src_o="https://cortex.persona.co/t/original/i/1d777029122f3f6bc9eadc3312b115bdaa74be12471f7d7081a58df88610c250/Fotogalleriet_JH_VV-3193.jpg" data-mid="1403308" border="0" /&#62;&#60;img width="4500" height="3001" width_o="4500" height_o="3001" src_o="https://cortex.persona.co/t/original/i/f895332cf91b2a49c6499d00880b71fe45248ed737c1142a72d4f710123930ef/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3426.jpg" data-mid="1403311" border="0" /&#62;‘Remnants 2010 -’.
&#60;img width="1300" height="867" width_o="1300" height_o="867" src_o="https://cortex.persona.co/t/original/i/446d8a1f3685558066d70519b1ab1d19b5b1e052037cc3d714e0c55e6e8dd2f9/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3483.jpg" data-mid="1403312" border="0" /&#62;&#60;img width="1300" height="867" width_o="1300" height_o="867" src_o="https://cortex.persona.co/t/original/i/94d13d0f7aad102b5d313b68bd57548ac2aa0562631e6fbf036476e550df3eb8/remnants.jpg" data-mid="1403315" border="0" /&#62;
‘Remnants 2010 -’.
&#60;img width="867" height="1300" width_o="867" height_o="1300" src_o="https://cortex.persona.co/t/original/i/d4b48b317854d7e6800388312af56ee13670b58d51ebdb275b63080d1e171447/Fotogalleriet---JulieHrncirova---Victoria-Verseau-3413.jpg" data-mid="1403313" border="0" /&#62;

&#60;img width="867" height="1265" width_o="867" height_o="1265" src_o="https://cortex.persona.co/t/original/i/c780bab75e5aa6b3b4a2b40244933ff0188b4f1b8fa5665e87bf6dc4b9b400b6/hidden-passage.jpg" data-mid="1403314" border="0" /&#62;Hidden space inside the wall.
‘Remnants 2010 -’.
&#38;lt;</description>
		
		<excerpt>&#38;lt; With support from Konstnärsnämnden / Iaspis / Swedish Arts Grants Committee.fotogalleriet.no/exhibition/victoria-verseau Courtesy Julie...</excerpt>

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	</item>
		
		
	<item>
		<title>HOMECOMING</title>
				
		<link>http://victoriaverseau.com/HOMECOMING</link>

		<comments></comments>

		<pubDate>Fri, 29 Mar 2024 12:45:39 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">452456</guid>

		<description>&#60;img width="2490" height="1407" width_o="2490" height_o="1407" src_o="https://cortex.persona.co/t/original/i/9c50e1c27641b02d50fced50a831c4975a24bf854d90e522472d3f2d9a50b70f/homecoming.jpeg" data-mid="1403362" border="0" /&#62;
Three artists and drag queens return to their hometown to confront their former tormentors: the “raggare” 
(greasers). Their mission is to persuade them to collaborate on creating a spectacular EPA-drag show for the 
town’s annual festival, the Food Festival (Matfestivalen). 
HOMECOMING is a project that moves freely between community art and documentary art film, exploring themes of 
home, belonging, and encounters with “the other.” Through an outrageous artistic project, the artists aim to face 
their own fears and prejudices,bring together groups that rarely meet, and reconcile with the wounds of a 
deserted hometown.
&#60;img width="2291" height="1218" width_o="2291" height_o="1218" src_o="https://cortex.persona.co/t/original/i/5ff5da59a50e27562b956b7557f38d871aadfe24063895f5c20f5b52bd25997f/Screenshot-2025-04-07-at-22.23.45.png" data-mid="1403363" border="0" /&#62;
&#60;img width="3360" height="1883" width_o="3360" height_o="1883" src_o="https://cortex.persona.co/t/original/i/5bd2471cf5e094015934c662fe18e397798fc1e9e41c93183c936d37e37ed357/Cellulita-3.jpg" data-mid="1356161" border="0" /&#62;Above: Cellulita.Supported by The Swedish Arts Grants Committee and Skövde Konsthall.



</description>
		
		<excerpt>Three artists and drag queens return to their hometown to confront their former tormentors: the “raggare”  (greasers). Their mission is to persuade them to...</excerpt>

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	</item>
		
		
	<item>
		<title>Honest Sketches</title>
				
		<link>http://victoriaverseau.com/Honest-Sketches</link>

		<comments></comments>

		<pubDate>Sun, 18 Feb 2024 20:50:28 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">451785</guid>

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&#60;img width="3394" height="4461" width_o="3394" height_o="4461" src_o="https://cortex.persona.co/t/original/i/21ec03a4cfefe6e2eecaac4511f48826709e60550dec35b1079b0d7ef2a46e8a/The-depth-inside-of-me-2.jpg" data-mid="1351747" border="0" /&#62;&#60;img width="2330" height="3306" width_o="2330" height_o="3306" src_o="https://cortex.persona.co/t/original/i/372aaeb618cbb10f2dbe515651954005d0ee08e98043e0e08aa42561ff5680e1/Skiss--91_9_2--2022.jpg" data-mid="1435155" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/7c87076ef1eefb8b050e6da46cee529114bf81ba7cf32d44e99bd3bd3c8a6db6/Skiss--74-2021.jpg" data-mid="1435158" border="0" /&#62;
&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/8f867ae60a0eaff18f7202e208fdec5a80610d694d587589b1db8339b6b65184/Where-is-the-body-27.jpg" data-mid="1350765" border="0" /&#62;&#60;img width="3394" height="4461" width_o="3394" height_o="4461" src_o="https://cortex.persona.co/t/original/i/9100279f2e8c96f4fd8543c64f3f9c16107f5033c9f97c75aa1c2546c4753d2d/Flying-dilators-5.jpg" data-mid="1351083" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/0ff2432bb878ac924cb188fbdff6f5938dc8241cc773f2ba7fd013e35f86fda2/semi-hanging-dress.jpg" data-mid="1353396" border="0" /&#62;&#60;img width="2848" height="3949" width_o="2848" height_o="3949" src_o="https://cortex.persona.co/t/original/i/d098ee4989289eedf8e0554182756b6d92ee28e1fef605e73e210f4f037ea608/Skiss--41--2020.jpg" data-mid="1435161" border="0" /&#62;
&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/851c515c1dc890d583e6af825cda4e5091f59141c1d977d9cf61acce01d04251/I-cant-fit-it-in-my-constructed-vagina-46.jpg" data-mid="1353395" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/08028d46ce4fd24d7577108d005abf6cf747e494a1ba90a3fd0cd2318d81426f/Skiss--62-2020.jpg" data-mid="1435159" border="0" /&#62;&#60;img width="1500" height="2064" width_o="1500" height_o="2064" src_o="https://cortex.persona.co/t/original/i/11db91906846c92991204370117b6ce70e0c494a777e649708bd0655bfb5d1b3/Skiss--34--2019.jpg" data-mid="1435162" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/dd3424ef5e1d01a36505df9f7935e558f98d8c55be29c769819a162da2de063c/hanging-dress.jpg" data-mid="1352212" border="0" /&#62;

&#60;img width="4679" height="3394" width_o="4679" height_o="3394" src_o="https://cortex.persona.co/t/original/i/aee591e816643d1aafd63d23a28f9ad64895446da86eaaa97c715b51e2867d24/Tidavad-s-gymnastics-hall.jpg" data-mid="1351084" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/8d910f3fa9b6b80e7c1381bd187a9daee4cef5a7253baa15b404fc016fe5d7a3/Skiss--40--2020.jpg" data-mid="1435163" border="0" /&#62;&#60;img width="3394" height="4461" width_o="3394" height_o="4461" src_o="https://cortex.persona.co/t/original/i/f3172d5c29beba1b83406dd3210c626d8a30aee31cb6a8643132aca92ac4301e/Flower-gender-3.jpg" data-mid="1351746" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/4aaad93d0cfe763d99e69e833a100794f2d41d7dd63ddd82437d2968db9329b9/body-in-leatherjacket.jpg" data-mid="1353771" border="0" /&#62;&#60;img width="3394" height="3906" width_o="3394" height_o="3906" src_o="https://cortex.persona.co/t/original/i/838b009d2399242569c2910744e89d682a5666f2822dccfe8fb10942d31e659d/Skiss--77--2020.jpg" data-mid="1435164" border="0" /&#62;&#60;img width="3394" height="4679" width_o="3394" height_o="4679" src_o="https://cortex.persona.co/t/original/i/4a0015751ade7d08b258e9056b46a6a0095c08e1fb7ea3e2b008fc5e7b20818a/Many-sketches-6.jpg" data-mid="1402646" border="0" /&#62;</description>
		
		<excerpt>&#38;nbsp;</excerpt>

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	</item>
		
		
	<item>
		<title>Stream</title>
				
		<link>http://victoriaverseau.com/Stream</link>

		<comments></comments>

		<pubDate>Tue, 24 Jan 2023 10:24:36 +0000</pubDate>

		<dc:creator>Victoria Verseau</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">437170</guid>

		<description></description>
		
		<excerpt></excerpt>

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	</item>
		
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